



Four o'clock found in the drawing-room: she was sure Selden would be punctual. But the hour came and passed--it moved on feverishly, measured by her impatient heart-beats. She had time to take a fresh survey of her wretchedness, and to fluctuate anew between the impulse to confide in Selden and the dread of destroying his illusions. But as the minutes passed the need of throwing herself on his comprehension became more urgent: she could not bear the weight of her misery alone. There would be a perilous moment, perhaps: but could she not trust to her beauty to bridge it over, to land her safe in the shelter of his devotion?
But the hour sped on and Selden did not come. Doubtless he had been detained, or had misread her hurriedly scrawled note, taking the four for a five. The ringing of the door-bell a few minutes after five confirmed this supposition, and made Lily hastily resolve to write more legibly in future. The sound of steps in the hall, and of the butler's voice preceding them, poured fresh energy into her veins. She felt herself once more the alert and competent moulder of emergencies, and the remembrance of power over Selden flushed her with sudden confidence. But when the drawing-room door opened it was Rosedale who came in.
The reaction caused her a sharp pang, but after a passing movement of irritation at the clumsiness of fate, and at her own carelessness in not denying the door to all but Selden, she controlled herself and greeted Rosedale amicably. It was annoying that Selden, when he came, should find that particular visitor in possession, but Lily was mistress of the art of ridding herself of superfluous company, and to her present mood Rosedale seemed distinctly negligible.
His own view of the situation forced itself upon her after a few moments' conversation. She had caught at the Brys' entertainment as an easy impersonal subject, likely to tide them over the interval till Selden appeared, but Mr. Rosedale, tenaciously planted beside the tea-table, his hands in his pockets, his legs a little too freely extended, at once gave the topic a personal turn.
"Pretty well done--well, yes, I suppose it was: Welly Bry's got his back up and don't mean to let go till he's got the hang of the thing. Of course, there were things here and there--things Mrs. Fisher couldn't be expected to see to--the champagne wasn't cold, and the coats got mixed in the coat-room. I would have spent more money on the music. But that's my character: if I want a thing I'm willing to pay: I don't go up to the counter, and then wonder if the article's worth the price. I wouldn't be satisfied to entertain like the Welly Brys; I'd want something that would look more easy and natural, more as if I took it in my stride. And it takes just two things to do that, Miss Bart: money, and the right woman to spend it."
He paused, and examined her attentively while she affected to rearrange the tea-cups.
"I've got the money," he continued, clearing his throat, "and what I want is the woman--and I mean to have her too."
He leaned forward a little, resting his hands on the head of his walking-stick. He had seen men of Ned Van Alstyne's type bring their hats and sticks into a drawing-room, and he thought it added a touch of elegant familiarity to their appearance.
Lily was silent, smiling faintly, with her eyes absently resting on his face. She was in reality reflecting that a declaration would take some time to make, and that Selden must surely appear before the moment of refusal had been reached. Her brooding look, as of a mind withdrawn yet not averted, seemed to Mr. Rosedale full of a subtle encouragement. He would not have liked any evidence of eagerness.
"I mean to have her too," he repeated, with a laugh intended to strengthen his self-assurance. "I generally HAVE got what I wanted in life, Miss Bart. I wanted money, and I've got more than I know how to invest; and now the money doesn't seem to be of any account unless I can spend it on the right woman. That's what I want to do with it: I want my wife to make all the other women feel small. I'd never grudge a dollar that was spent on that. But it isn't every woman can do it, no matter how much you spend on her. There was a girl in some history book who wanted gold shields, or something, and the fellows threw 'em at her, and she was crushed under 'em: they killed her. Well, that's true enough: some women looked buried under their jewelry. What I want is a woman who'll hold head higher the more diamonds I put on it. And when I looked at you the other night at the Brys', in that plain white dress, looking as if you had a crown on, I said to myself: 'By gad, if she had one she'd wear it as if it grew on her.'"
Still Lily did not speak, and he continued, warming with his theme: "Tell you what it is, though, that kind of woman costs more than all the rest of 'em put together. If a woman's going to ignore her pearls, they want to be better than anybody else's--and so it is with everything else. You know what I mean--you know it's only the showy things that are cheap. Well, I should want my wife to be able to take the earth for granted if she wanted to. I know there's one thing vulgar about money, and that's the thinking about it; and my wife would never have to demean herself in that way." He paused, and then added, with an unfortunate lapse to an earlier manner: "I guess you know the lady I've got in view, Miss Bart."
Lily raised her head, brightening a little under the challenge. Even through the dark tumult of her thoughts, the clink of Mr. Rosedale's millions had a faintly seductive note. Oh, for enough of them to cancel her one miserable debt! But the man behind them grew increasingly repugnant in the light of Selden's expected coming. The contrast was too grotesque: she could scarcely suppress the smile it provoked. She decided that directness would be best.
"If you mean me, Mr. Rosedale, I am very grateful--very much flattered; but I don't know what I have ever done to make you think--"
"Oh, if you mean you're not dead in love with me, I've got sense enough left to see that. And I ain't talking to you as you were--I presume I know the kind of talk that's expected under those circumstances. I'm confoundedly gone on you--that's about the size of it--and I'm just giving you a plain business statement of the consequences. You're not very fond of me--YET--but you're fond of luxury, and style, and amusement, and of not having to worry about cash. You like to have a good time, and not have to settle for it; and what I propose to do is to provide for the good time and do the settling."
She spoke with the intention of making him see that, if his words implied a tentative allusion to her private affairs, she was prepared to meet and repudiate it. But if he recognized her meaning it failed to abash him, and he went on in the same tone: "I didn't mean to give offence; excuse me if I've spoken too plainly. But why ain't you straight with me--why do you put up that kind of bluff? You know there've been times when you were bothered--damned bothered--and as a girl gets older, and things keep moving along, why, before she knows it, the things she wants are liable to move past her and not come back. I don't say it's anywhere near you yet; but you've had a taste of bothers that a girl like yourself ought never to have known about, and what I'm offering you is the chance to turn your back on them once for all."
The colour burned in Lily's face as he ended; there was no mistaking the point he meant to make, and to permit it to pass unheeded was a fatal confession of weakness, while to resent it too openly was to risk offending him at a perilous moment. Indignation quivered on her lip; but it was quelled by the secret voice which warned her that she must not quarrel with him. He knew too much about her, and even at the moment when it was essential that he should show himself at his best, he did not scruple to let her see how much he knew. How then would he use his power when her expression of contempt had dispelled his one motive for restraint? Her whole future might hinge on way of answering him: she had to stop and consider that, in the stress of her other anxieties, as a breathless fugitive may have to pause at the cross-roads and try to decide coolly which turn to take.
"You are quite right, Mr. Rosedale. I HAVE had bothers; and I am grateful to you for wanting to relieve me of them. It is not always easy to be quite independent and self-respecting when one is poor and lives among rich people; I have been careless about money, and have worried about my bills. But I should be selfish and ungrateful if I made that a reason for accepting all you offer, with no better return to make than the desire to be free from my anxieties. You must give me time--time to think of your kindness--and of what I could give you in return for it---"
She held out her hand with a charming gesture in which dismissal was shorn of its rigour. Its hint of future leniency made Rosedale rise in obedience to it, a little flushed with his unhoped-for success, and disciplined by the tradition of his blood to accept what was conceded, without undue haste to press for more. Something in his prompt acquiescence frightened her; she felt behind it the stored force of a patience that might subdue the strongest will. But at least they had parted amicably, and he was out of the house without meeting Selden--Selden, whose continued absence now smote her with a new alarm. Rosedale had remained over an hour, and she understood that it was now too late to hope for Selden. He would write explaining his absence, of course; there would be a note from him by the late post. But her confession would have to be postponed; and the chill of the delay settled heavily on her fagged spirit.
It lay heavier when the postman's last ring no note for her, and she had to go upstairs to a lonely night--a night as grim and sleepless as her tortured fancy had pictured it to Gerty. She had never learned to live with her own thoughts, and to be confronted with them through such hours of lucid misery made the confused wretchedness of her previous vigil seem easily bearable.
She laid down the paper and sat motionless, staring at her note. She understood now he was never coming--that he had gone away because he was afraid that he might come. She rose, and walking across the floor stood gazing at herself for a long time in the brightly-lit mirror above the mantel- piece. The lines in her face came out terribly--she looked old; and when a girl looks old to herself, how does she look to other people? She moved away, and began to wander aimlessly about the room, fitting her steps with mechanical precision between the monstrous roses of Mrs. Peniston's Axminster. Suddenly she noticed that the pen with which she had written to Selden still rested against the uncovered inkstand. She seated herself again, and taking out an envelope, addressed it rapidly to Rosedale. Then she laid out a sheet of paper, and sat over it with suspended pen. It had been easy enough to write the date, and "Dear Mr. Rosedale"--but after that her inspiration flagged. She meant to tell him to come to her, but the words refused to shape themselves. At length she began: "I have been thinking---" then she laid the pen down, and sat with her elbows on the table and her face hidden in her hands.
Suddenly she started up at the sound of the door-bell. It was not late--barely ten o'clock--and there might still be a note from Selden, or a message--or he might be there himself, on the other side of the door! The announcement of his sailing might have been a mistake--it might be another Lawrence Selden who had gone to Havana--all these possibilities had time to flash through her mind, and build up the conviction that she was after all to see or hear from him, before the drawing-room door opened to admit a servant carrying a telegram.
Lily tore it open with shaking hands, and read Bertha Dorset's name below the message: "Sailing unexpectedly tomorrow. Will you join us on a cruise in Mediterranean?"