Kim
Rudyard Kipling
Chapter I Page 1
O ye who tread the Narrow Way By Tophet-flare to judgment Day, Be gentle when 'the heathen' pray To Buddha at Kamakura!
Buddha at Kamakura.
He sat, in defiance of municipal orders, astride the gun Zam Zammah on her brick platform opposite the old Ajaib-Gher - the Wonder House, as the natives call the Lahore Museum. Who hold Zam-Zammah, that 'fire-breathing dragon', hold the Punjab, for the great green-bronze piece is always first of the conqueror's loot.
There was some justification for Kim - he had kicked Lala Dinanath's boy off the trunnions - since the English held the Punjab and Kim was English. Though he was burned black as any native; though he spoke the vernacular by preference, and his mother-tongue in a clipped uncertain sing-song; though he consorted on terms of perfect equality with the small boys of the bazar; Kim was white - a poor white of the very poorest. The half-caste woman who looked after him (she smoked opium, and pretended to keep a second-hand furniture shop by the square where the cheap cabs wait) told the missionaries that she was Kim's mother's sister; but his mother had been nursemaid in a Colonel's family and had married Kimball O'Hara, a young colour- sergeant of the Mavericks, an Irish regiment. He afterwards took a post on the Sind, Punjab, and Delhi Railway, and his Regiment went home without him. The wife died of cholera in Ferozepore, and O'Hara fell to drink and loafing up and down the line the keen-eyed three-year-old baby. Societies and chaplains, anxious for the child, tried to catch him, but O'Hara drifted away, till he came across the woman who took opium and learned the taste from her, and died as poor whites die in India. His estate at death consisted of three papers - one he called his 'ne varietur' because those words were written below his signature thereon, and another his 'clearance-certificate'. The third was Kim's birth-certificate. Those things, he was used to say, in his glorious opium-hours, would yet make little Kimball a man. On no account was Kim to part with them, for they belonged to a great piece of magic - such magic as men practised over yonder behind the Museum, in the big blue-and-white Jadoo-Gher - the Magic House, as we name the Masonic Lodge. It would, he said, all come right some day, and Kim's horn would be exalted between pillars - monstrous pillars - of beauty and strength. The Colonel himself, riding on a horse, at the head of the finest Regiment in the world, would attend to Kim - little Kim that should have been better off than his father. Nine hundred first-class devils, whose God was a Red Bull on a green field, would attend to Kim, if they had not forgotten O'Hara - poor O'Hara that was gang- foreman on the Ferozepore line. Then he would weep bitterly in the broken rush chair on the veranda. So it came about after his death that the woman sewed parchment, paper, and birth- certificate into a leather amulet-case which she strung round Kim's neck.
'And some day,' she said, confusedly remembering O'Hara's prophecies, 'there will come for you a great Red Bull on a green field, and the Colonel riding on his tall horse, yes, and' dropping into English - 'nine hundred devils.'
'Ah,' said Kim, 'I shall remember. A Red Bull and a Colonel on a horse will come, but first, my father said, will come the two men making ready the ground for these matters. That is how my father said they always did; and it is always so when men work magic.'
As he drummed his heels against Zam-Zammah he turned now and again from his king-of-the-castle game with little Chota Lal and Abdullah the sweetmeat-seller's son, to make a rude remark to the native policeman on guard over rows of shoes at the Museum door. The big Punjabi grinned tolerantly: he knew Kim of old. So did the water-carrier, sluicing water on the dry road from his goat- skin bag. So did Jawahir Singh, the Museum carpenter, bent over new packing-cases. So did everybody in sight except the peasants from the country, hurrying up to the Wonder House to view the things that men made in their own province and elsewhere. The Museum was given up to Indian arts and manufactures, and anybody who sought wisdom could ask the Curator to explain.
'Off! Off! Let me up!' cried Abdullah, climbing up Zam-Zammah's wheel.
'Thy father was a pastry-cook, Thy mother stole the ghi" sang Kim. 'All Mussalmans fell off Zam-Zammah long ago!'
'The Hindus fell off Zam-Zammah too. The Mussalmans pushed them off. Thy father was a pastry-cook -'
He stopped; for there shuffled round the corner, from the roaring Motee Bazar, such a man as Kim, who thought he knew all castes, had never seen. He was nearly six feet high, dressed in fold upon fold of dingy stuff like horse-blanketing, and not one fold of it could Kim refer to any known trade or profession. At his belt hung a long open-work iron pencase and a wooden rosary such as holy men wear. On his head was a gigantic sort of tam-o'-shanter. His face was yellow and wrinkled, like of Fook Shing, the Chinese bootmaker in the bazar. His eyes turned up at the corners and looked like little slits of onyx.
'Who is that?' said Kim to his companions.
'Perhaps it is a man,' said Abdullah, finger in mouth, staring.
'Without doubt.' returned Kim; 'but he is no man of India that I have ever seen.'
'A priest, perhaps,' said Chota Lal, spying the rosary. 'See! He goes into the Wonder House!'
'Nay, nay,' said the policeman, shaking his head. 'I do not understand your talk.' The constable spoke Punjabi. 'O Friend of all the World, what does he say?'
'Send him hither,' said Kim, dropping from Zam-Zammah, flourishing his bare heels. 'He is a foreigner, and thou art a buffalo.'
The man turned helplessly and drifted towards the boys. He was old, and his woollen gaberdine still reeked of the stinking artemisia of the mountain passes.
'O Children, what is that big house?' he said in very fair Urdu.
'The Ajaib-Gher, the Wonder House!' Kim gave him no title - such as Lala or Mian. He could not divine the man's creed.
'Ah! The Wonder House! Can any enter?'
'It is written above the door - all can enter.'
'Without payment?'
'Alas! I am an old man. I did not know.' Then, fingering his rosary, he half turned to the Museum.
'What is your caste? Where is your house? Have you come far?' Kim asked.
'Aha! Khitai (a Chinaman),' said Abdullah proudly. Fook Shing had once chased him out of his shop for spitting at the joss above the boots.
'Pahari (a hillman),' said little Chota Lal.
'A guru from Tibet,' said Kim. 'I have not seen such a man. They be Hindus in Tibet, then?'
'We be followers of the Middle Way, living in peace in our lamasseries, and I go to see the Four Holy Places before I die. Now do you, are children, know as much as I do who am old.' He smiled benignantly on the boys.
'Hast thou eaten?'
He fumbled in his bosom and drew forth a worn, wooden begging- bowl. The boys nodded. All priests of their acquaintance begged.
'I do not wish to eat yet.' He turned his head like an old tortoise in the sunlight. 'Is it true that there are many images in the Wonder House of Lahore?' He repeated the last words as one making sure of an address.
'That is true,' said Abdullah. 'It is full of heathen busts. Thou also art an idolater.'
'Never mind him,' said. Kim. 'That is the Government's house and there is no idolatry in it, but only a Sahib with a white beard. Come with me and I will show.'
'Strange priests eat boys,' whispered Chota Lal.
'And he is a stranger and a but-parast (idolater),' said Abdullah, the Mohammedan.
Kim laughed. 'He is new. Run to your mothers' laps, and be safe. Come!'
Kim clicked round the self-registering turnstile; the old man followed and halted amazed. In the entrance-hall stood the larger figures of the Greco-Buddhist sculptures done, savants know how long since, by forgotten workmen whose hands were feeling, and not unskilfully, for the mysteriously transmitted Grecian touch. There were hundreds of pieces, friezes of figures in relief, fragments of statues and slabs crowded with figures that had encrusted the brick walls of the Buddhist stupas and viharas of the North Country and now, dug up and labelled, made the pride of the Museum. In open-mouthed wonder the lama turned to this and that, and finally checked in rapt attention before a large alto- relief representing a coronation or apotheosis of the Lord Buddha. The Master was represented seated on a lotus the petals of which were so deeply undercut as to show almost detached. Round Him was an adoring hierarchy of kings, elders, and old-time Buddhas. Below were lotus-covered waters with fishes and water- birds. Two butterfly-winged devas held a wreath over His head; above them another pair supported an umbrella surmounted by the jewelled headdress of the Bodhisat.
'The Lord! The Lord! It is Sakya Muni himself,' the lama half sobbed; and under his breath began the wonderful Buddhist invocation:
'And He is here! The Most Excellent Law is here also. My pilgrimage is well begun. And what work! work!'
'Yonder is the Sahib.' said Kim, and dodged sideways among the cases of the arts and manufacturers wing. A white-bearded Englishman was looking at the lama, who gravely turned and saluted him and after some fumbling drew forth a note-book and a scrap of paper.
'Welcome, then, O lama from Tibet. Here be the images, and I am here' - he glanced at the lama's face - 'to gather knowledge. Come to my office awhile.' The old man was trembling with excitement.
The office was but a little wooden cubicle partitioned off from the sculpture-lined gallery. Kim laid himself down, his ear against a crack in the heat-split cedar door, and, following his instinct, stretched out to listen and watch.
Most of the talk was altogether above his head. The lama, haltingly at first, spoke to the Curator of his own lamassery, the Such-zen, opposite the Painted Rocks, four months' march away. The Curator brought out a huge book of photos and showed him that very place, perched on its crag, overlooking the gigantic valley of many-hued strata.
'Ay, ay!' The lama mounted a pair of horn-rimmed spectacles of Chinese work. 'Here is the little door through which we bring wood before winter. And thou - the English know of these things? He is now Abbot of Lung-Cho told me, but I did not believe. The Lord - the Excellent One - He has honour here too? And His life is known?'
'It is all carven upon the stones. Come and see, if thou art rested.'
Out shuffled the lama to the main hall, and, the Curator beside him, went through the collection with the reverence of a devotee and the appreciative instinct of a craftsman.
Incident by incident in the beautiful story he identified on the blurred stone, puzzled here and there by the unfamiliar Greek convention, but delighted as a child at each new trove. Where the sequence failed, as in the Annunciation, the Curator supplied it from his mound of books - French and German, with photographs and reproductions.